{"id":20,"date":"2012-10-27T13:23:00","date_gmt":"2012-10-27T12:23:00","guid":{"rendered":"http:\/\/choeurdesecrins.wordpress.com\/?page_id=20"},"modified":"2013-07-01T10:37:13","modified_gmt":"2013-07-01T09:37:13","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/www.choeurdesecrins.fr\/?page_id=20","title":{"rendered":"R\u00e9pertoire"},"content":{"rendered":"

Le r\u00e9pertoire<\/strong><\/p>\n

Depuis sa cr\u00e9ation, le ch\u0153ur a interpr\u00e9t\u00e9 plus d\u2019une centaine d\u2019\u0153uvres, classiques ou de vari\u00e9t\u00e9s fran\u00e7aises et \u00e9trang\u00e8res.<\/p>\n

La plupart des chants ont \u00e9t\u00e9 emprunt\u00e9s au r\u00e9pertoire de cr\u00e9ateurs et \u00e9diteurs de musique classique ou contemporaine.<\/p>\n

Quelques-uns ont \u00e9t\u00e9 adapt\u00e9s ou cr\u00e9\u00e9s pour des circonstances conjoncturelles locales par le Chef de Ch\u0153ur.<\/p>\n

Pour obtenir des partitions ou des arrangements : s\u2019adresser au Pr\u00e9sident ( rubrique : contacts )<\/p>\n

Liste des interpr\u00e9tations du Choeur des Ecrins<\/strong><\/p>\n

\n\r\n\r\n
Titre<\/th>\nAuteurs<\/th>\nCompositeurs<\/th>\nArrangeur<\/th>\nLangue<\/th>\n<\/tr>\n<\/thead>\n
Aimer \u00e0 perdre la raison<\/td>\nL. Aragon<\/td>\nJ. Ferrat<\/td>\nX. Vidic<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
A\u00efre tun txiquitun<\/td>\n<\/td>\nF. Lopez<\/td>\nA. Paolucci<\/td>\nBasque<\/td>\n<\/tr>\n\r\n
Amazing Grace<\/td>\nTrad. Irlandais<\/td>\n<\/td>\nJ.P. Fink<\/td>\nAnglais<\/td>\n<\/tr>\n\r\n
L’Amiti\u00e9<\/td>\nF. Hardy<\/td>\n<\/td>\nA. Paolucci<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Anniversaire<\/td>\nA. Paolucci<\/td>\nA. Paolucci<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Aurtxoa Seaskan<\/td>\nJ. Ol\u00e4izola<\/td>\n<\/td>\n<\/td>\nBasque<\/td>\n<\/tr>\n\r\n
Ave Maria<\/td>\n<\/td>\n<\/td>\nB. de Marzy<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
Ave Maria<\/td>\n<\/td>\nGounod<\/td>\nA. Paolucci<\/td>\nLatin<\/td>\n<\/tr>\n\r\n
Ave Verum Corpus<\/td>\n<\/td>\nW. A. Mozart<\/td>\n<\/td>\nLatin<\/td>\n<\/tr>\n\r\n
Bala\u00efo<\/td>\n<\/td>\nH. Villa-Lobos<\/td>\n<\/td>\nPortugais<\/td>\n<\/tr>\n\r\n
Belle Rose du Printemps<\/td>\nT. Usuelli<\/td>\n<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Benia Calastoria<\/td>\n<\/td>\nB. de Marzi<\/td>\nA. Paolucci<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
Billy<\/td>\nE. Marnay<\/td>\nP. Lema\u00eetre<\/td>\nJ. C. Oudot<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
La Bo\u00eete \u00e0 Chansons<\/td>\nG. Dor<\/td>\n<\/td>\nY. Thibodeau<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Carnavalito Quebrad\u00ebno<\/td>\n<\/td>\nH. Avalos<\/td>\n<\/td>\nEspagnol<\/td>\n<\/tr>\n\r\n
La Chanson de Pr\u00e9vert<\/td>\n<\/td>\nS. Gainsbourg<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Chant des Partisans<\/td>\nM. Druon<\/td>\nJ. Kessel<\/td>\nA. Marly<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Cielito Lindo<\/td>\nTrad. Mexicain<\/td>\n<\/td>\nG. Fourcaud<\/td>\nEspagnol<\/td>\n<\/tr>\n\r\n
Le Colporteur<\/td>\nChant Tzigane<\/td>\n<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
La Complainte de Pablo Neruda<\/td>\nL. Aragon<\/td>\nJ. Ferrat<\/td>\nG. Salvador<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Conquest of Paradise<\/td>\n<\/td>\nVangelis<\/td>\nM. Aubert<\/td>\nLatin<\/td>\n<\/tr>\n\r\n
Les Corons<\/td>\nJ.P. Lang<\/td>\nP. Bachelet<\/td>\nJ.C. Oudot<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Douce Nuit<\/td>\nJ. Mohr<\/td>\nF. Gruber<\/td>\nA. Paolucci<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Entre Las Ocho<\/td>\nNo\u00ebl Espagnol<\/td>\n<\/td>\nF. Villard<\/td>\nEspagnol<\/td>\n<\/tr>\n\r\n
Le Facteur<\/td>\nG. Moustaki<\/td>\n<\/td>\nA. Paolucci<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Flowers of Scotland<\/td>\nFolk. Ecossais<\/td>\nRoy Wiliamson<\/td>\n<\/td>\nEcossais<\/td>\n<\/tr>\n\r\n
Harmonie<\/td>\nA. Paolucci<\/td>\nN. Sambetas<\/td>\nA. Paolucci<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Heilig<\/td>\n<\/td>\nF. Schubert<\/td>\n<\/td>\nAllemand<\/td>\n<\/tr>\n\r\n
Highland Cathedral<\/td>\nUlrich Roever<\/td>\nMichael Korb<\/td>\n<\/td>\nEcossais<\/td>\n<\/tr>\n\r\n
Hymne \u00e0 la Nuit<\/td>\nJ.P. Rameau<\/td>\n<\/td>\nP. Piern\u00e9<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
L’Hymne \u00e0 l’Amour<\/td>\nM. Monod<\/td>\n<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
I Have a Dream<\/td>\nAbba<\/td>\nAbba<\/td>\nA. Paolucci<\/td>\nAnglais<\/td>\n<\/tr>\n\r\n
Il est Trop Tard<\/td>\nG. Moustaki<\/td>\n<\/td>\nJ. Turellier<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
I’m Gonna Sing<\/td>\n<\/td>\n<\/td>\n<\/td>\nAnglais<\/td>\n<\/tr>\n\r\n
Image du Valbonnais<\/td>\nA. Paolucci<\/td>\nM. Hadjidakis<\/td>\nA. Paolucci<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Kad si Bila Mala Mare<\/td>\nTrad. Dalmate<\/td>\n<\/td>\nF. M\u00f6ckl<\/td>\nCroate<\/td>\n<\/tr>\n\r\n
Kumbalaya<\/td>\nGospel<\/td>\n<\/td>\n<\/td>\nAnglais<\/td>\n<\/tr>\n\r\n
Lascia Ch’io Pianga<\/td>\nA. Hill<\/td>\nG.F. Haendel<\/td>\nP. Calmelet<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
Leise Rieselt Der Schnee<\/td>\nNo\u00ebl<\/td>\n<\/td>\nA. Paolucci<\/td>\nAllemand<\/td>\n<\/tr>\n\r\n
Lentamente<\/td>\nP. Bon<\/td>\n<\/td>\n<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
Luci Care<\/td>\nW.A. Mozart<\/td>\nW.A. Mozart<\/td>\n<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
Ma\u00ebva<\/td>\nTahiti<\/td>\n<\/td>\nA. Paolucci<\/td>\nTahitien<\/td>\n<\/tr>\n\r\n
Merci<\/td>\nJ. Lemay<\/td>\n<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Le M\u00e9t\u00e8que<\/td>\nG. Moustaki<\/td>\n<\/td>\nA. Paolucci<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
La Montagne<\/td>\nJ. Ferrat<\/td>\n<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
La Montanara<\/td>\n<\/td>\nG. Ortelli<\/td>\n<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
Nabucco<\/td>\nG. Verdi<\/td>\n<\/td>\n<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
No\u00ebl<\/td>\nPraetorius<\/td>\n<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Les Nomades<\/td>\nL. Aragon<\/td>\nJ. Ferrat<\/td>\nChristian P<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Ho\u00e9 Ana<\/td>\nTahiti<\/td>\n<\/td>\n<\/td>\nTahitien<\/td>\n<\/tr>\n\r\n
Panis Angelicus<\/td>\n<\/td>\nC. Franck<\/td>\n<\/td>\nLatin<\/td>\n<\/tr>\n\r\n
Les Petits Caf\u00e9s<\/td>\nA. Vanderlove<\/td>\n<\/td>\nJ. Frochot<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
La Pri\u00e8re S\u00e9villane<\/td>\nR. De Leon<\/td>\nJ. Pareja-Obregon<\/td>\n<\/td>\nEspagnol<\/td>\n<\/tr>\n\r\n
S’enfuir et Apr\u00e8s<\/td>\nJ.J. Revaux<\/td>\nM. Sardou<\/td>\nG.Turcotte<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Signore delle Cime<\/td>\n<\/td>\nB. De Marzy<\/td>\n<\/td>\nItalien<\/td>\n<\/tr>\n\r\n
Souliko<\/td>\n Trad. G\u00e9orgie<\/td>\n<\/td>\nA. Paolucci<\/td>\nRusse<\/td>\n<\/tr>\n\r\n
Sur un th\u00e8me de L. Cohen<\/td>\nM. Bois<\/td>\nA. Paolucci<\/td>\nA. Paolucci<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Tabortuznel<\/td>\nM. Miklos<\/td>\n<\/td>\nL. Bardos<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Tece Voda Tece<\/td>\nTrad. Tch\u00e8que<\/td>\n<\/td>\n<\/td>\nTch\u00e8que<\/td>\n<\/tr>\n\r\n
This Little Light of Mine<\/td>\nGospel<\/td>\n<\/td>\n<\/td>\nAnglais<\/td>\n<\/tr>\n\r\n
Tibi\u00e9 Pa\u00efom<\/td>\nLithurgie Orthodoxe<\/td>\nD. Bornanski<\/td>\n<\/td>\nRusse<\/td>\n<\/tr>\n\r\n
Trois Petites Notes de Musique<\/td>\n<\/td>\nG. Delerue<\/td>\n<\/td>\nFran\u00e7ais<\/td>\n<\/tr>\n\r\n
Vino Griego<\/td>\n<\/td>\n<\/td>\n<\/td>\nEspagnol<\/td>\n<\/tr>\n<\/tbody><\/table><\/div>\n","protected":false},"excerpt":{"rendered":"

Le r\u00e9pertoire Depuis sa cr\u00e9ation, le ch\u0153ur a interpr\u00e9t\u00e9 plus d\u2019une centaine d\u2019\u0153uvres, classiques ou de vari\u00e9t\u00e9s fran\u00e7aises et \u00e9trang\u00e8res. La plupart des chants ont \u00e9t\u00e9 emprunt\u00e9s au r\u00e9pertoire de cr\u00e9ateurs et \u00e9diteurs de musique classique ou contemporaine. Quelques-uns ont … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=\/wp\/v2\/pages\/20"}],"collection":[{"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20"}],"version-history":[{"count":4,"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":342,"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions\/342"}],"wp:attachment":[{"href":"https:\/\/www.choeurdesecrins.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}